And Mondrian isn’t an isolated case. In recent weeks, similar post–Public Domain Day claims have surfaced from Fleischer Studios in connection with Betty Boop’s earliest appearances, and from representatives of Harold Lloyd’s estate concerning Safety Last! (1923), which entered the public domain over seven years ago. Different works, different theories—but the same objective: discourage use first, sort out the law later.
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ВсеРоссияМирСобытияПроисшествияМнения，这一点在体育直播中也有详细论述
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Or push GGUFs to Hugging Face: